● The Architect Project touches on existential problems with discursive ease. The eternal theme of the connection between spirit and matter, spiritual conditions and movements are located in different chronotopes (time and place of action). The artist visualizes human existence as a stone sculpture in the process of creation. Monolith is chosen as a metaphor of the “beginning” of every human life. The stone gradually acquires form and individuality in accordance with our spiritual accomplishments and choices, and also with the plans of the Great Architect.

● “Sediment in process” is a knowhow of the artist - a language for visual description of form and its content. The technique is acrylic and pastel on paper.  ...

● The Architect Project touches on existential problems with discursive ease. The eternal theme of the connection between spirit and matter, spiritual conditions and movements are located in different chronotopes (time and place of action). The artist visualizes human existence as a stone sculpture in the process of creation. Monolith is chosen as a metaphor of the “beginning” of every human life. The stone gradually acquires form and individuality in accordance with our spiritual accomplishments and choices, and also with the plans of the Great Architect.

● “Sediment in process” is a knowhow of the artist - a language for visual description of form and its content. The technique is acrylic and pastel on paper.  ...

● The state of Topophobia, as an object of psychoanalysis, describes the fear of certain places or situations and is a reaction of the instinct for self-preservation. It is an atavistic reflex designed to protect the individual, no matter if the threat is real or imaginary.
The contradiction here is that in case of fear and depression the resources for maintenance of an active state decrease, but in spite of this topophobia is productive. The reaction of the Irritant drives the body in the parabola toward a personal horizon and awakens the latent nomad. It creates a physical and psychological feeling of reality.

● Reflections on Monad and Polyad - the human spirit, its visible and invisible side...The focus is on the divine illumination - the Monad, the imperishability of the proto-spark (Alel); personality in its relations with time, the unity of the individual (latin: individuus – indivisible, integral).

The Monad is interpreted by Baramó as a sphere – a symbol of perfection in its wholeness, the beginning touches the end in order to walk its way towards the new beginning… 

● Parallel realities as physical and mental structures; all opportunities are realized si-multaneously. The expected and the irreversible, without undo. The continuum is open.

● What is the beginning of all opportunities? Where is the entrance to the garden with furcating paths? Or perhaps the parallel realities are a physical aspect of reincarnation, when one can choose a new life in another existence.

● What should be the correlation original vs. copy? Contemporary man coexists comfortably with the dummy in which the copy has a cognitive and educational function. The original is second to none, it inspires. It may be an object of mimesis ...

● The states, perceived as a cadence of {d}evolution.
They visualize human states, abstract in their essence. The focus is on the constant spiritual-somatic interaction and the dialectic between the binary oppositions, such as: 
extroversion / introversion, joy / pain (physical / spiritual), workaholism / laziness, self-control, euphoria / depression, love (mentioned as F 63.9 by the WHO desease lists) / hatred, phobias, etc. Or ethic defined states, such as:
lust, gluttony, greed, sloth, wrath, envy, arrogance.